Upon its release, the 'Smalltown Boy' director Bernard Rose had begun to build his reputation not only as an adept filmmaker talent, but also as a pioneering voice for the queer community. Together, the trio walk off on the train platform in smiles. Thankfully, the original 'Smalltown Boy' story ends in relief as Somerville is joined by two friends on the train. He decides to leave town, and faces yet another blow - this time emotionally, from his own father, who hands him a bill for his journey ahead but turns away from his son's extended hand without a hug or a handshake. He's brought home, bruised and battered, to his distraught family. Not long after, he's cornered by the jock and his friends who chase him down on a motorbike and attack him. He attempts to make a pass, but is quickly shut down and shamed. Soon, he discovers an innocent interest in a handsome athlete at the local pool. The story begins with some quick background on Somerville's character as he eats breakfast with his family, most notably his father, who seems distant and cold. Directed by London filmmaker Bernard Rose, the five minute video is presented like a silent film following the story of a young gay man, played by the band's own openly gay singer, Jimmy Somerville. Originally released in 1984, 'Smalltown Boy' received an official music video later that year. All throughout, the falsetto of 'Smalltown Boy' appropriately narrates the scenes with the repeated chant of its haunting chorus rally call: "cry".įor generations before Millennials and Gen Z, however, that same Bronski Beat's tune served as the soundtrack to a similarly heart-wrenching story of a different era. There's no coincidence in the music choice behind this moment, which also goes on to croon behind the pain-riddled face of a currently sober, recovering high school drug addict named Rue (played by Zendaya) as she has a full-blown meltdown in the bathroom of said house party as well as Cassie ( Sydney Sweeny), a girlfriend-turned-punching-bag who finds herself drowning her insecurities by engaging in sexual activities with equally terrible boys.
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There's something charming, yet simultaneously foreboding about the twinkle of an '80s classic coming into play as we watch one of the show's rare bright lights begin to fade on screen. As she gulps down the contents of a cheap bottle of vodka and wanders over to the dance floor, the sparkling tones of Bronski Beat's ' Smalltown Boy' begins to play. While it hasn't been explicitly stated, it's safe to assume that Jules is drenching herself - both externally and internally - to dilute her mixed bag of anger and pain of being at the mercy of the town's evil villain (and overly-masculine popular school jock, underage-porn blackmailer, etc.) Nate.
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Jules, the bestie-turned-crush of our protagonist Rue, is soaked after a tipsy jump in the pool and is helping herself to the party's remaining libations. At the peak of Euphoria's sixth episode called "The Next Episode", we see the final moments of a dramatic Halloween house party coming to a head.